Boris RED 5 adds support for Adobe CS5.x and Sony Vegas Pro 10 under 64-bit Windows operating systems.

Smooth and soften skin imperfections and remove jaggies, DV compression artifacts, and unwanted noise from image clips:
Noise Reduction
The multi-processor accelerated BCC Noise Reduction filter safely removes unwanted video noise and artifacts from image clips while preserving all of the detail contrast in the original image. The filter combines temporal and spatial methods to safely eliminate the unwanted video noise and includes an option for post process image sharpening to further enhance the image result. The built-in compare mode split-screen and wipe function makes setup of the filter an easy and intuitive process.
Smooth Tone
With the advent of HD image technology, the image result may often be "too sharp". What this means is that certain areas in the image, such as the pores on a subject's skin, may become too prominent. The Smooth Tone filter applies a complex image smoothing-algorithm to these areas in the image but does not affect extreme specular highlights or catch-lights. This results in smoother skin tones while preserving important areas of detail contrast within the image.
Pixel Fixer
Digital video and still photography, while making it easier to have immediate access to source material, come with some disadvantages versus film source material. One common problem is with the camera's image sensor. Sometimes pixels on the sensor stop working - with the result of "bad" pixels in the image. Instead of clone-painting to remove or disguise the bad pixel in each frame, the BCC Pixel Fixer automates this process. Simply center one of the source points in the filter over the bad pixel and it is removed from every frame in the clip. This fast-to-render filter includes source points to remove up to 10 "bad" pixels per filter instance.
DV Fixer
This filter uses proprietary algorithms to detect visible aliased diagonal edges that are typically found in DV video clips and then processes the pixels only along these edges to achieve a smooth artifact-free result. The filter is easy to use and features on-screen view modes that enable you to fine-tune the detected jaggy edges prior to performing any image processing.

Achieve high-quality SD to HD conversions while minimizing the data loss that is usually associated with resizing media in a host application. The UpRez filter includes several high-end image processing algorithms to enhance the sharpness and smoothness of the final result.

Lens Blur
The multi-processsor accelerated BCC Lens Blur filter emulates the circular or multi-sided iris shaped highlights that are generated with real camera lenses in areas of the image that are out of focus. This filter includes a pop-up that can be used to match the different looks that can be achieved in the physical world based on the camera lens aperture setting. This pleasing optical result is referred to in photographic terms as Bokeh. The filter includes a Z-Map control group for generating depth-of-field rack focus effects.
Lens Shape
The multi-processsor accelerated BCC Lens Shape filter to generate stylized image highlights that take their shape from an alternate alpha image source. Like the BCC Lens Blur filter, the BCC Lens Shape filter simulates a lens out of focus effect, but instead of generating iris shaped highlights, the highlights take their shape from the alpha channel input of an alternate image layer. Use the included Z-Depth option to emulate real-world depth of field camera lens effects.
Lens Transition
The multi-processsor accelerated BCC Lens Transition filter automatically generates a stylized transition between a pair of image clips. The filter applies a lens blur effect to stylize the highlights in both the outgoing and incoming image clips, simulating the look of a camera lens rack focus effect. On-screen controls are provided to control the transition velocity and duration and for control over the lens Bokeh.
Swish Pan
The BCC Swish Pan transition emulates panning a camera very quickly in a 180 degree arc, creating the look of a fast blur between the outgoing and the incoming clips.

Simulate pencil-sketched images, the wash look of a water color painting, a rotoscope toon-animation look, and charcoal drawings.

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